Even Mrs. Elvsted feels intimidated by Hedda. As a woman in Hedda Gabler, Mrs. Elvsted struggles with the same question as Hedda and Miss Tesman: to what or whom can she possible devote her life?Her answer is a simple one: Eilert Løvborg. The analysis of Hedda Gabler proceeds page by page, rather than by topic, such as the symbolism of the guns or Hedda's character. Judge Brack. This point is really driven home when we see that Hedda uses her writing desk not for writing (not for creation that is) but for keeping her guns (for destruction). Mrs. Elvsted. Ultimately, I think Mrs.Elvsted is an innocent so far, and it looks as though Hedda maybe the more controlling individual who holds authority and control over the other characters. Thea Elvsted is a nervous, flighty woman. Mrs.Elvsted’s description suggests she is a very feminine woman, unlike Hedda who has masculine features. Unlike Hedda, Mrs. Elvsted does manage to negotiate the tensions of her society and works her way within it, in contrast to the ultimate challenge or defeat that the finality of Hedda’s suicide presents. Mrs. Elvsted: Mrs. Thea Elvsted is an old schoolmate of Hedda Gabler's and a few years younger than her. The plot of Hedda Gabler unfolds as a succession of visitors—Auntie Juju, Mrs. Elvsted, Judge Brack, and Eilert Loevborg—enter and exit the drawing room. The meek naïveté of Desdemona and Mrs. Elvsted. Mrs. Elvsted is a meek but passionate woman. She is trapped in a loveless marriage with a man who is often away from home, and has fallen in love with Mr. Lövborg. Formerly a schoolmate of Hedda Gabler's, she flees to Christiania when she can no longer endure her dull and loveless marriage to Sheriff Elvsted. She reacts to her violently at times, pulling her hair out as a child and deciding, “I think I’ll burn your hair off after all” (272). It is recognized as a classic of realism, nineteenth century theatre, and world drama. Now that she is alone with Mrs. Elvsted she convinces her to confide in her the truth about her and Lovborg: Hedda- Hedda Gabler focusses on the frustrated existence of its title character, exploring core issues of power, control, and social expectation. Mrs. Thea Elvsted is a sweet-natured and somewhat naïve woman in her early twenties.

Hedda Is Not a Housewife The reflection of women in literature during the late eighteen-hundreds often features a submissive and less complex character than the usual male counterpart, however Henrik Ibsen’s Hedda Gabler features a women who confines herself to the conformities that women were to endure during that time period but separates herself from other … The figure of Mrs. Elvsted seems to be a representation of the repressive femininity that Hedda attempts to escape from. In Hedda Gabler, Mrs. Thea Elvsted is a honor character on the novel and the wife of Sheriff Elvsted who she does not love.She is in love with Mr. Eilert Lövborg.
(Act-I, 24) Hedda sees Mrs. Elvsted’s hair as foolish and threatening because it represents both her femininity and her power over Lovborg, the only man that Hedda may have had feelings for. We argue that Thea is all about creative construction while Hedda is about violent destruction. Check out "Character Role Identification" for a discussion of the foil between Hedda and Mrs. Elvsted. Berta enters, giving Mrs. Elvsted false hope that the men have arrived home, but she is only carrying a letter for Tesman. She and her husband hired Ejlert Lövborg as a tutor to their children, and Mrs. Elvsted grew attached to Ejlert, acting as his personal secretary and aiding him in his research and writing. Hedda and Mrs. Elvsted take extreme steps to come out of the suffocating relationships and environment.

Mrs. Elvsted. Even Mrs. Elvsted feels intimidated by Hedda. Formerly a schoolmate of Hedda Gabler's, she flees to Christiania when she can no longer endure her dull and loveless marriage to Sheriff Elvsted. All in all, perhaps Mrs. Elvsted is the stronger character, despite the often-made dismissal that she is merely a foil for Hedda.
Now, compare this to the description of Hedda’s hair, which is "an agreeable brown" and "not particularly abundant." Character Analysis Of Henrik Ibsen's Hedda Gabler.